International Research Journal of Commerce , Arts and Science

 ( Online- ISSN 2319 - 9202 )     New DOI : 10.32804/CASIRJ

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MALGUDI : TRADITIONAL / GEOGRAPHICAL BACKGROUND IN R.K. NARAYAN’S NOVELS

    1 Author(s):  DR. JOGINDER SINGH AHLAWAT

Vol -  2, Issue- 3 ,         Page(s) : 6 - 10  (2011 ) DOI : https://doi.org/10.32804/CASIRJ

Abstract

R.K. Narayan has used Malgudi as a traditional and geographical background in all his novels. From Swami and Friends to A Tiger for Malgudi is a march along a historical time. In R.K. Narayan’s novels, Malgudi unfolds new vistas of life. A simple, innocent and conservative society undergoes fast changes because of the incursions of modern civilization. From a sleepy,

1. Mehta, Ved. John is easy to Please, p.156.
2. Ibid.,p.148.
3. Verghese, C. Paul. Raja Rao, Mulk Raj, Narayan and others, Indian writing Today, III, No.1 (Jan.-March, 1969), p.31.
4. Williams, H.M. Indo-Anglian Literature 1800-1970 (Madras: Orient Longman, 1976), p.49.
5. Greene, Graham. Int. to The Financial Expert (Mysore: Indian Thought Publications, 1973), p.6.
6. Narayan, R.K. The Bachelor of Arts (Mysore: Indian Thought Publicaitons, 1977), p.123.
Note: All the subsequent reference of the story are taken from the same edition of the text.
7. Narayan, R.K. Swami and Friends (Mysore: Indian Thought Publications, 1977), p.3.
Note: All the subsequent reference of the story are taken from the same edition of the text.
8. Narayan, R.K. The English Teacher, pp.60-61.
Note: All the subsequent reference of the story are taken from the same edition of the text.
9. Kaul, A.N. R.K.Narayan and the East-West Theme, considerations, Meenakshi Mukherjee (New Delhi: allied Publishers, 1977),p.51.
10. Ibid, p.45.
11. Williams, H.M. Indo-Anglian Literature, 1800-1970, p.50.
12. Narayan, R.K. The Painter of Signs (Mysore: Indian Thought Publications. 1977),p.5.
Note: All the subsequent reference of the story are taken from the same edition of the text.
13. Narayan, R.K. The Dark Room (New Delhi: Orient Paperbacks, 1976), p.21.
Note: All the subsequent reference of the story are taken from the same edition of the text.

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