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6. Thakurta, Tapati Guha, The making of a new ‘Indian’ art, Cambridge University Press, Britain, 1992, p.199
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10. Thakurta, Tapati Guha, The making of a new ‘Indian’ art, Cambridge University Press, Britain, 1992, p. 194
12. Coomarswamy, A.K., Art and Swadeshi, Munshiram Manoharlal Publishers Pvt. Ltd, 1994, pp.127-128.
13. Mago, Pran Nath, Contemporary Indain Art – A Perspective, National Book trust, New Delhi, pp. 40-41
14. Chopra, Suneet, Bengal and Beyond, India Habitate Center ExC., 2005.
15. Kumar, R.Shiva, Cultural Specifity, Art Language, the Practice of Modernism- An Indian Perspective, In Contemporary Indian Art-Other Realities(Ed. By Yashodhra Dalmia), Marg Pub., 2002, p. 12.
16. Gupta, Pradosh Das, The Calcutta Group – Its Aims and Achievements, L.K.A.- 31, New Delhi, p. 11
17. Som, Sovon, The Art of Jamini Roy and the Bengal Folk Paradigm, In Jamini Roy: Seminar Papers, L.K.A, New Delhi, 1992, p. 43
18. Mukhopadhyay, Amit, The Art Situation Before 1940, L.K.A.- 32, New Delhi, p.28
19. Mago, Pran Nath, Contemporary Indain Art – A Perspective, National Book trust, New Delhi, p.40.
20. Rameez, Art and Artists of Srilanka, http://www.ecolk.com/home/test-gallery- page/
21. Mago, Pran Nath, Contemporary Indian Art – A Perspective, National Book Trust, New Delhi, p.45.